Worksheet: Living in
Oblivion
-
a Summarise the storyline
of Living In Oblivion.
b Divide it into
dreams and real occurences
c How much of the
film is devoted to dreams and how much ‘really’ happened?
-
a How does the narrative
structure differ from a mainstream Hollywood film?
b Does it follow
the ‘classic Hollywood narrative’?
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a How does mainstream
cinema show dream sequences?
b Is it always obvious
that we are seeing a dream? Why?
-
Compare a dream sequence
from a Hollywood film with one from Living In Oblivion.
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Why doesn’t Tom DiCillo
use a Hollywood method of making the dreams obvious to the audience?
-
Dream sequences, like
flashbacks, are viewed from certain characters’ perspectives.
a How do we know
(in hindsight) that the first dream belongs to Nick the director?
b How does Nicole’s
dream differ?
c How is the final
scene different to both of these dreams?
d How does the use
of colour differ in each sequence?
e What is the significance
of the use of colour and black and white in the film?
f Can you think
of other films which use both colour and black and white for particular
reasons?
-
a In what way is DiCillo
poking fun at Independent film-making?
b What problems
does Nick encounter that wouldn’t exist on the set of a big-budget film
c How do we know
that DiCillo’s film is clearly low-budget compared to mainstream films
that you are familiar with?
-
Summarise the ‘alternative’
characteristics of Living In Oblivion.
© Cath Davies 2001
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