Media
Education in the UK
For many years in
the UK, media education was a 'movement', searching for a space on the
timetable in schools and colleges. From the 1960s onwards a growing number
of teachers and lecturers became interested in studying mass media forms,
especially film, television, radio and newspapers and magazines. Some teachers
argued that learning about these important elements of popular culture
would be best achieved through students producing media products themselves.
Distinct qualifications in media theory and media practice emerged from
the 1970s onwards and the 'movement' has now become an established part
of UK education.
The move to a National
Curriculum in the England and Wales in the late 1980s squeezed the space
avilable for media education in primary schools (5-11) and secondary schools
(11-16), but at the same time the range of qualifications in the 16-19
age range expanded dramatically and by 2000 some 18,000 students were sitting
Advanced Level examinations in Media Studies, Film Studies and Communication
Studies and a further 5,000 or so were being assessed on media courses
in vocational education. A further 25,000 students were assessed on intermediate
courses (GCSE and equivalent) in Media Studies. There have been attempts
to get media education 'written in' to various subjects in the National
Curriculum, such as Art and English and since 1998 a distinct 'media' element
has been added to the specification for English 14-16, so that all students
now undertake an analysis of a media product.
Media education in
the UK is characterised by the development of a set of 'Key Concepts' that
can be found in the specifications for all media qualifications. These
refer to any media product such as a film, television programme, audio
recording etc. (often referred to as 'media texts'). The concepts are:
-
Media Language (the
formal properties of media texts)
-
Genre (the classification
of texts)
-
Representation (the
ways in which ideas and values or specific groups or types of people are
constructed in media texts)
-
Institution (the organisation
of media production and issues of ownership and control over communication)
-
Audience (the target
audience for media products and the range of audience behaviour in 'reading'
texts)
In addition, most media
courses will see the acquisition of basic skills, knowledge and understanding
about media production itself as a 'core' element of provision. Typical
questions that a media education course might set out to answer are:
What is the meaning
of produced by this film, television programme etc.?
-
How is the meaning produced?
-
How might the text be
classified as a genre?
-
What kinds of representation
are found in the text?
-
Who produced the text
and for whar purpose?
-
How might different
audiences understand and respond to the text?
-
What kinds of skills
and understanding are required to produce such a text?
Media education in the
UK has attracted a fair amount of 'bad press', partly because it is often
popular with students and diverts their interest from other more well-established
subjects. Critics have also argued that media education lacks academic
rigour. In reality, media education challenges students and develops critical
skills rarely practised in more traditional disciplines. Media education
is perhaps misunderstood because of its multi-disciplinary nature. Arguably
this is one of its strengths with a creative tension that comes from mixing
a 'text-based' approach derived from English and a more 'people and process'
approach derived from the social sciences. A similar tension exists between
theory and practice in media education.
© Roy Stafford
2001
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